๐Ÿ”ท ื”ืคืฉื˜ื” ื›ืขื™ืงืจื•ืŸ ื‘ืžืขืจื›ื•ืช ื›ืื•ื˜ื™ื•ืช

ื‘ืชื•ืจืช ื”ื›ืื•ืก, ืื ื• ืžืชืืจื™ื ืžืขืจื›ื•ืช ืฉื”ืŸ deterministic ืืš unpredictable โ€“ ืžื” ืฉืžื›ื•ื ื” "ืชืœื•ืช ืจื’ื™ืฉื” ื‘ืชื ืื™ื ืจืืฉื•ื ื™ื™ื" (ืืคืงื˜ ื”ืคืจืคืจ). ื‘ื”ืงืฉืจ ื–ื”, ื”ืคืฉื˜ื” ืžืฉืžืขื•ืชื”:

ืกื™ื ื•ืŸ ื“ืคื•ืกื™ื ืžื”ืจืขืฉ โ€“ ื–ื™ื”ื•ื™ ืžื‘ื ื™ื ืžืฉืžืขื•ืชื™ื™ื ืžืชื•ืš ื›ืื•ืก ื ืจืื” ืœืขื™ืŸ.

ื“ื•ื’ืžื”:

Advertising

ืžื•ื— ืžื–ื”ื” ืคื ื™ื ื‘ื“ืคื•ืก ืืงืจืื™ ืฉืœ ื ืงื•ื“ื•ืช โ€“ ื’ื ืื ืื™ืŸ ืฉื ื“ื‘ืจ ื›ื–ื”. โ†’ Pareidolia ื”ื•ื ืชื•ืฆืื” ืฉืœ ื”ืคืฉื˜ื” ื ื•ื™ืจื•ื ืœื™ืช ืžืžื ื™ืขื™ื ื›ืื•ื˜ื™ื™ื.


๐Ÿ”ท ืงืฉืจ ืœืชื•ืจืช ื”ืžื™ืชืจื™ื

ืชื•ืจืช ื”ืžื™ืชืจื™ื ืคื•ืขืœืช ื‘ืจืžื” ืคื™ื–ื™ืช ืžื•ืคืฉื˜ืช ื‘ื™ื•ืชืจ. ื”ื™ื ืžื ื™ื—ื” ืฉื›ืœ ื”ื—ืœืงื™ืงื™ื ื”ื ืœืžืขืฉื” ืžื™ืชืจื™ื ืงื˜ื ื™ื ืจื•ื˜ื˜ื™ื, ืฉืžืฆื‘ื™ืขื™ ื”ืจื•ื˜ืฆื™ื” ืฉืœื”ื ืงื•ื‘ืขื™ื ืืช ืชื›ื•ื ื•ืชื™ื”ื ื”ืคื™ื–ื™ืงืœื™ื•ืช.

ื”ื ื” ื”ื”ืคืฉื˜ื”:

ืื ื• ืžื•ืคืฉื˜ื™ื ืžื”ื—ืœืงื™ืงื™ื โ†’ ืœืžื™ืชืจื™ื โ†’ ืœืžื‘ื ื™ื ืžืชืžื˜ื™ื™ื ื‘-11+ ืžืžื“ื™ื.

(ื›ืžื” ืฆื‘ืขื™ื ืืชื” ืจื•ืื”? =)

3 ื’ืจืขื™ื ื™ื™ื, ืœื ืžืื•ื–ืŸ? = ืชื•ืจืช ื”ืžื™ืชืจื™ื

ื•ืžื” ืœื’ื‘ื™ ื”ื›ืื•ืก?

ื”ืื™ื ื˜ืจืืงืฆื™ื•ืช ื”ื‘ืกื™ืกื™ื•ืช, ื”ืงื•ื•ื ื˜ื™ื, ื”ืฉื“ื•ืช ื”ื›ื‘ื™ื“ืชื™ื™ื ื•ื›ื•' ืžื™ื™ืฆืจื™ื ื›ืื•ืก ื ืจืื” ืœืขื™ืŸ ื‘ืจืžื” ืžืžื“ื™ืช ื ืžื•ื›ื” ื™ื•ืชืจ, ืฉื ื™ืชืŸ ืœืชืืจ ื›ืจืกื•ื ื ื•ืช ืžืกื•ื“ืจืช (ordered resonance) ื‘ืจืžื” ื’ื‘ื•ื”ื” ื™ื•ืชืจ.


๐Ÿ”ท ืชื•ื“ืขื” ืื ื•ืฉื™ืช ื›ืžืขืจื›ืช ื”ืคืฉื˜ื” ืžืชืคืชื—ืช

ืชื•ื“ืขื” ืื ื•ืฉื™ืช ื”ื™ื self-organizing system (ืžืขืจื›ืช ืžืื•ืจื’ื ืช-ื‘ืขืฆืžื”) ืฉืžืกื ื ืช, ืžืคืจืฉืช ื•ืžืฉืœื‘ืช ืžื™ื“ืข ืžื”ืกื‘ื™ื‘ื” ื‘ืื•ืคืŸ ืจืฆื™ืฃ.

ื‘ื”ื™ื‘ื˜ ื–ื”:


๐Ÿ”ท ืื™ื—ื•ื“ ื”ื›ืœ ื‘ืžื•ื“ืœ ืื—ื“

  1. ืชื•ืจืช ื”ื›ืื•ืก, ื”ืชื•ื“ืขื” ื”ืื ื•ืฉื™ืช, ื”ืžื•ื“ืขื•ืช ืœื‘ืœืชื™ ืฆืคื•ื™ื•ืช ื•ืžื•ืจื›ื‘ื•ืช.

  2. ืชื•ืจืช ื”ืžื™ืชืจื™ื ืžื™ื™ืฆื’ืช ืฆื•ืจื” ื‘ืœืชื™ ืžืกืคืงืช.

  3. ื”ืชื•ื“ืขื” ืžืฉืชืžืฉืช ื‘ื”ืคืฉื˜ื” ื›ื“ื™ ืœื”ืคื™ืง ืžืฉืžืขื•ืช ืž"ื”ืจืขื™ื“ื” ื”ื‘ืกื™ืกื™ืช ืฉืœ ื”ืžืฆื™ืื•ืช" ื”ื–ื•

    ืœื”ื›ื ืช ืขื•ืœื ื‘ืขืœ ืžืฉืžืขื•ืช ื”ื ื™ืชืŸ ืœืคื™ืจื•ืฉ.

  4. ๐ŸŒ€ ื”ืจื”ื•ืจ ืžื˜ื: ื”ืคืฉื˜ื” ื›ืžืงืจืŸ ืžืžื“ื™

    ื”ืคืฉื˜ื” ื”ื™ื ื”ืชื”ืœื™ืš ื”ืžื ื˜ืœื™ ืฉื‘ื• ื”ืชื•ื“ืขื” ื”ื•ืคื›ืช ืืช ื”ืžุนู„ูˆู…ุงุช ื”ื›ืื•ื˜ื™ืช ื‘ืชื“ืจ ื ืžื•ืš ืœืžืฉืžืขื•ืช ื‘ืชื“ืจ ื’ื‘ื•ื”.
    ื”ื™ื ืžืฉืœื‘ืช ืืช ื”ืจื‘-ืžืžื“ื™ (ืชื•ืจืช ื”ืžื™ืชืจื™ื) ืืœ ื”ื ื™ืชืŸ ืœืชืคื™ืกื” (ื”ืชื•ื“ืขื”), ืชื•ืš ืฉืžื™ืจื” ืขืœ ื—ืชื™ืžื” ืคืจืงื˜ืœื™ืช (ืชื•ืจืช ื”ื›ืื•ืก).


    ืื ืชืจืฆื”, ืื ื™ ื™ื›ื•ืœ ื’ื ืœื™ืฆื•ืจ graphical representation (ื™ื™ืฆื•ื’ ื’ืจืคื™), story (ืกื™ืคื•ืจ) ืื• scientific-philosophical essay (ืžืืžืจ ืžื“ืขื™-ืคื™ืœื•ืกื•ืคื™) ื‘ื”ืชื‘ืกืก ืขืœ ื–ื”.